「為什麼奧運用了我的歌卻沒告訴我？」
「奧運會侵權了嗎？」

〈歡樂飲酒歌〉一曲在台東阿美族群傳唱已久，但走出部落罕為人知。因為樂音歌聲採集，進而被國外樂團盜用，後遭奧委會作為宣傳曲。對演唱者來說，登上奧運殿堂讓部落音樂被世界聽見原是可喜，然而也憂慮為何權益不受重視？

蘭天律師回憶當年這場跨國訴訟案，從侵權事件爆發到決定訴訟，從台灣發聲到訴諸國際媒體的整個過程，而這場國際訴訟案更催生出「原住民族傳統智慧創作保護條例」，增訂著作權法保障表演著作的立法例。

全書以中／英文梳理案件，還原事實，交代侵權責任，以正視聽。

‘’Why does the Olympics use my voice without telling me?’’

Since Difang Duana heard the Olympics music on the radio and immediately recognized it was his voice in the background. And started this three-year international copyright infringement litigation.

“Elders Drinking Song”, this Amis song, has been passed down for centuries but is rarely known outside. In the beginning, a professor in Ethnomusicology discovered this song during his fieldwork on folk music. Then a foreign band sampled the song into a new song composition and was chosen as the Atlanta Olympics promo song. For the singers, it was gratifying to be heard in the Olympics and let tribal music be known by the world, but they were also worried about why their rights are not valued.

This book was written by Huang Shiu-Lan lawyer, who joined the lawsuit, she recalls the ''Elders Drinking Song'' international infringement lawsuit. From the outbreak of the infringement incident to the decision to litigate, speak out from Taiwan to the international media. This transnational lawsuit prompted Taiwan's lawmakers to put a new law in place: "Protection Act for The Traditional Intellectual Creations of Indigenous Peoples." and add an article protecting "performance" as an independent copyrighted work.

蘭天

本名黃秀蘭，台灣台中人，為現任律師，執業廿餘年。年輕時鍾情於文史，因緣際會進入法律領域，在長年法庭訴訟攻防與合約紛爭談判中，觀察人生百態、領略人性幽暗、探索天道運行。承辦訴訟案件及合約爭議歷程中，經常陪伴當事人走過生命幽谷，探索合約真諦，尋求文創紛爭之解決方案，協助創作者修復或結束合作關係，開啟人生新的篇章。在法律工作沉重壓力下，喜以旅行、寫作、賞析古文物、觀賞影劇作為調養心性之道。近年於台北藝術大學電影創作研究所兼任教職，講授「智慧財產權與合約談判」課程。公餘之暇閱讀撰文，分享法律人生的體悟。

Lawyer Lan

Lawyer Lan, the pen name of Huang Shiu-Lan (Jully Huang), is a native of Taichung and has been in private practice in Taiwan for over 20 years. In her younger years, literature and history were her happy pursuits, and it was by chance that she found her way into the field of law. Years spent in the courtroom and at the contract negotiation table have allowed her to see the ins and outs of her clients' lives, experience the darkness of human nature, and pon...

推薦序
記我與黃秀蘭律師相識的機緣／李道明教授
文化與律法間的重新思辯／黃亞歷導演
聖戰之後／熊儒賢製作人
 
自序
永不流逝的旋律──《歡樂飲酒歌》
 
一 奧運報導出現台灣原住民歌聲
郭英男歌聲成為奧運宣傳曲
歌聲比對鑑定
侵權成立嗎？
 
二〈歡樂飲酒歌〉著作權保護分析
深夜危機處理會議
〈歡樂飲酒歌〉演唱錄製大事紀
拜訪關鍵人士——民俗音樂學者
 
三 表演者郭英男夫婦有無授權？
遲來的授權金可以收下嗎？
還原當年實況
侵權過程之事實整理
國內反對聲浪四起
召開記者會表明立場
 
四 魔岩唱片決定展開國際訴訟
台北市政府公開表態支持
正式委託美國律師發函警告
EMI唱片公司詢問和解訴求
歌曲版稅損失的計算　
 
五 EMI唱片公司拒絕賠償
國內提出法律追訴程序
國內電視台拒絕和解
決定向國際唱片公司宣戰
跨國訴訟評估
 
六 確定向美國洛杉磯聯邦地區法院起訴
研究台灣著作權法歷年立法沿革
查證〈歡樂飲酒歌〉原版旋律
委託法學教授撰擬法律意見書
郭英男夫婦起訴狀
 
七 美國加州法院受理侵權案
同步委託律師研究在法國訴訟的可行性
承審法官強烈要求和解
維京唱片質疑原告立場
被告的律師挑釁回應
被告證人名單猶如震撼彈
徹夜談判和解破局
展開新一波的國際媒體宣傳與攻擊
 
八 被告EMI唱片同意接受我方的和解條件
 
後記
 
Content
Forward-Lee Daw Ming, Professor
How I Come to know Lawyer Huang Shiu Lan
 
Forward-Ya-Li Huang, Film Director
Rethinking the Relationship between Culture and Law
&n...

Particularly, this has to be told in a common language so everyone can read the whole story and figure out how the rights were violated. I also need to address the importance of respecting Indigenous songs and culture, and I hope the beautiful music brings true harmony and happiness to the world.

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