本書主要關注人與環境，以及社會結構之下的關係，探索錄像媒材於影像之外的敘事能力。陳郁文藉由現成物、虛擬物（三維物件）、挪用、電腦模擬運算與實體空間投影，對當代的「自然性」、「人工性」、「真實」與「虛假（擬）」進行思辨，且延伸叩問身份認同的議題。
This exhibition focuses on the relationship between the human, the environmental, and the social while exploring the narrative capabilities of video beyond time based media. Employing found objects, virtual objects (3D models), appropriation, computer simulation, and mapped projections, Sera Chen not only carries out a dialectic discourse within (about) the natural, the artificial, the actual and the simulacra but also questions the very formation of identification.
This exhibition focuses on the relationship between the human, the environmental, and the social while exploring the narrative capabilities of video beyond time based media. Employing found objects, virtual objects (3D models), appropriation, computer simulation, and mapped projections, Sera Chen not only carries out a dialectic discourse within (about) the natural, the artificial, the actual and the simulacra but also questions the very formation of identification.