本書為嘉義市立美術館開館展《辶反風景》展覽專輯，本展透過四個子題：「被體現的自然」、「內在風景」、「媒介中的觀景」和「激進的風景」，進一步思索自身與所處環境、觀看關係和地理政治的跨時代意涵，以「反」風景的概念重塑「返」風景之間人與風景的當代關係。
This Exhibition further contemplates the temporal meanings of self with the environment it is situated in, the viewing relationship, and geopolitics via four themes: “Embodied Nature”, “Inner Landscape”, “Mediated Landscape Viewing”, and “Radical Landscape”. With the notion of “reflecting” landscape, it reshapes the contemporary relationship of humanity and landscape in “re-visiting” landscape.
This Exhibition further contemplates the temporal meanings of self with the environment it is situated in, the viewing relationship, and geopolitics via four themes: “Embodied Nature”, “Inner Landscape”, “Mediated Landscape Viewing”, and “Radical Landscape”. With the notion of “reflecting” landscape, it reshapes the contemporary relationship of humanity and landscape in “re-visiting” landscape.