In his day Ernst Toller (1893-1939) was as renowned as the young Bertolt Brecht. High profile persona non-grata in 1933 when the Nazis came to power, Toller fled to London, went on a lecture tour to the U.S. in 1936, and tried to make a go of it as a screenwriter in Los Angeles. Dispirited, despondent upon learning that his brother and sister had been sent to a concentration camp and convinced that the world as he knew it had succumbed to the forces of darkness, Toller was found dead by hanging, a presumed suicide, in his room at the Hotel Mayflower on May 22, 1939. Conceived in the German theatrical tradition of Jakob Michael Reinhold Lenz's The Soldiers and Georg B chner's Woyzeck, Toller's devastating tragedy Hinkemann is a painfully poetic plaidoyer for the overlooked vision and voice of the victim.