Counterpoint is the art of combining multiple melodies in a pleasing and harmonious way. This book, first published in 1904, is a study of counterpoint in Western classical music. It covers topics such as species counterpoint, fugue, and canon, and provides examples from works by Bach, Beethoven, and other composers. The book is a valuable resource for music students and composers.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

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