The four thoughtful, interesting plays that make up this anthology raise important issues for discussion and debate while also making us laugh. With plays performed on the stage and on radio, plays with few and with multiple roles, readers will learn much about the act and process of theatre.In the Continuum - by Danai Gurira and Nikkole SalterIn the Continuum is the story of two young women, one in Harare and the other in South Central Los Angeles, experiencing a kaleidoscopic weekend of darkly comic, life-changing revelation. With the two playwrights/actors playing all the roles, In the Continuum tells the story of parallel denials and self-discovery in a manner that while bordering on tragedy is often very funny.`Neither preachy nor depressing, this play is moving, smart, spirited and powerfully funny!' Isherwood - New York TimesBelonging - by Mirirai MoyoBelonging tells the story of how an adventurous young hen Kuku and the hyena Bere discover shared interests and companionship that the rest of their tribe will not countenance. In the process Mirirai Moyo explores identity and choice and shows how friendship can help us to break down stereotypes.'The most original and inventive play I have read in a long time.'-Shimmer ChinodyaPower Failure - by Jide Olugbenga AfolayanPower Failure is a lively comic drama about the potential dangers of indiscriminate power-cuts when a small boy cannot receive the hospital treatment he needs because there is no electricity. Poking fun at the system, Jide Afolayan explores both corruption and resourcefulness as citizens determine to survive in a place where public facilities are inadequate and subject to the vagaries of the powerful.'Power Failure addresses real problems as well as exploiting the comic potential of its subject matter to the full.'-Catherine Fellows, BBC DramaWhen I meet my Mother - by Kathleen McCreeryThis play explores the lives, hopes and fears of a gang of underage street kids living in a Brazilian suburb. Narrated through eight small, but powerful voices, we experience the bonds of friendship and loyalty that develop in a small fringe society constantly under threat, from not only the forces of law and order but from criminals and thugs. Kathleen McCreery's long experience of working with street children in England, Ghana and South Africa, makes this play one that requires us to think about how society can support those that are marginalised.A thought-provoking and vivid play that reveals friendship, invention and an instinct for justice as powerful bonds of survival for street children everywhere. It is also a call for change.'-Fiona Lesley, Co-Director The MAP Consortium