內容簡介
向最偉大的電影天才致敬，全面理解史丹利‧庫伯力克的奇想世界
1968年，當史丹利‧庫伯力克被問到拍攝《2011太空漫遊》的真實意義為何時，他回答：「電影中想傳達的真實意義無法用言語表述，我想透過《2011太空漫遊》帶給觀眾一場超凡的體驗，透過視覺的影響力，去滲透人們的淺意識，每個人都可以對這部片創造自己的專屬定義，接受自我真實的想法和理論。」這也是為何史丹利‧庫伯力克的電影總是深植人心。英國出版社TASCHEN推出的圖像圖書館系列套書，內容包括《殺戮》到最後一部電影《大開眼戒》，超過800張珍貴電影劇照、800件電影相關道具及作品介紹，揭露史丹利‧庫伯力克的創作靈感來源，場景設計草圖、與演員及導演來往的書信、原創劇本、筆記及拍攝時程表等，全面深入電影天才獨特的電影哲學。
The Kubrick files
1968年，當史丹利‧庫伯力克被問到拍攝《2011太空漫遊》的真實意義為何時，他回答：「電影中想傳達的真實意義無法用言語表述，我想透過《2011太空漫遊》帶給觀眾一場超凡的體驗，透過視覺的影響力，去滲透人們的淺意識，每個人都可以對這部片創造自己的專屬定義，接受自我真實的想法和理論。」這也是為何史丹利‧庫伯力克的電影總是深植人心。英國出版社TASCHEN推出的圖像圖書館系列套書，內容包括《殺戮》到最後一部電影《大開眼戒》，超過800張珍貴電影劇照、800件電影相關道具及作品介紹，揭露史丹利‧庫伯力克的創作靈感來源，場景設計草圖、與演員及導演來往的書信、原創劇本、筆記及拍攝時程表等，全面深入電影天才獨特的電影哲學。
The Kubrick files
From the archives of cinematic genius
In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: “It’s not a message I ever intended to convey in words. 2001 is a nonverbal experience... I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content.”
Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director’s philosophy. From the opening sequence of Killer’s Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick’s complete films to impress through a sequence of compelling, mesmerizing stills. We uncover Kubrick’s creative process through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules.
Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick’s best interviews. The result is a visual, archival, and scholarly journey through masterworks of 20th century cinema and the meticulous mind of the director behind them.
